Posts Tagged ‘Burial’

I am doing that #MarchPhotoADay thing on my twitter.  Good times.  Every day there is a theme and you take a picture about it.  Fun!

I have a couple songs for you today… two very different styles.

Lets get started talking about one of my favourite chill beat mongers, Four Tet. The UK producer and DJ teamed up with Burial for a song called “Nova.” The song will likely show up on Four Tet’s Text Records.

Burial + Four Tet – “Nova”

Download MP3 (low quality) >> Burial and Four Tet

This song kind of reminds of the grey days leading up to spring.  Spring is coming to Victoria, but ain’t here yet!  (heck there was a light dusting of snow the other day).

You got that signature Four Tet beat and the ghostly samples and glitches of Burial.  Basically everything about both performers I like, in one song.  I remember when Four Tet toured to Vancouver… and I think played at The Biltmore?  Oh man, it will forever be a shame that I didn’t rally to hit the show.  In my defense… he played on a February 24th… Madelyn’s birthday.  Just couldn’t do it.

I change gears for a record I read about the other day on Pitchfork.

The writer didn’t jive on the record, but in explaining their distaste they kinda sold me on the disc.  The group is called Mr. Dream and their EP is Fatherland.

The critique is that band sounded a bit like a second-rate 80s vintage Homestead Records band.  Sounds like my kind of band.

I started poking around the other day on Homestead because they are an important record label based out of New York for alternative music in the 80s.  They feature prominently in the lore of the time in outsider music.  Gerald Cosloy ran the label during a lot of important years and was instrumental in the early days of Dinosaur Jr.  Awesome.

It was Dinosaur Jr that inspired me to try and learn guitar… and to hear a band that borrows heavily from that era but is modern sounds exceptionally intriguing to me.

Poking around more, and Colsoy’s story intersects again… as he is a part-owner of today’s influential indie record label, Matador Records.  And then it just all makes sense.  matador is home (or was home) to a lot of bands that I love.  Namely Interpol (currently) and Spoon (formally).  But click the link and you’ll see a pretty select roster of bands.

Very cool.

Back to Mr. Dream, the band out of Brooklyn NYC… are a couple Pitchfork writers (which is funny, because Pitchfork ripped them)… which goes to show, judging music is easier than making it (or at least a very different skill set).

I like Mr. Dream… but mostly because I like the style and era they are trying to replicate.  And if I ever get half decent at guitar, might try for something similar (but with a Four Tet beat? haha)

Mr. Dream – “Fatherland”

Download MP3 >> Mr Dream – Fatherland

OK… Mr. Dream only has like a 1,000 something followers… so I need to get my band fired up fast so I can can offer SOMETHING and tour with them playing 80’s alt rock!

That’s all I got… I am off on a little holiday tomorrow and Friday… Coral is taking me to a Canucks game. We’ll eat street food, drink beers, maybe hit the Red Wagon… I might go for a soak in the hot tub at my sister’s place, and generally act like a tourist with 48 hours to cause trouble  Vancouver friends… if you’re downtown Thursday night…look for Hurricane Coral, I’ll be holding onto a lamp post or sturdy hipster near that!

See you at Veneto on Friday night.

Go with yourself.

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I got a crush on you.

UK electronic artist Burial has a new EP available called Kindred.  The EP is short on tracklistings, just three… but the songs are long expressions.  The EP will take about 30 minutes to digest in a sitting and it all blends together so nicely.  Especially at bed time!

The music is sad but also sensual.  He made a music video for the second song, “Loner.”

Burial – “Loner”

Great, hypnotic beats to drift away to sleep to… or sit at your desk working away.


Pol (aka TK 427) and I were talking about how the greatest song we never added to regular rotation at the Zone was Sleigh Bells‘ “Rill Rill.”  Hot dog that is a great song.

New album, “Reign of Terror” came out on Valentine’s Day and we’ve been flirting with the song “Comeback Kid.”  A good song, but a little abrasive and thus divisive on the radio.  A new single is being feature now and its mighty fun.  “Crush.”

Sleigh Bells – “Crush”

The bleacher stomps set this song off… Derek Miller was talking to some blog about about the bleacher stomps.

“For the stomps, we had a ton of people meet us at this high school in Brooklyn, Benjamin Banneker High, where they have these super-old rickety wooden bleachers, and we had fifty of our friends show up. We mic’d the place up and sat there for four hours, making our own samples. I felt like I was getting away with murder.”

That’s all I got.  Go with yourself.

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bah, I’m so stupid.  I totally flaked on the fact that one of my favourite bands of 2009, The Rural Alberta Advantage, is coming to Victoria tomorrow.  AND its now sold out.

Oh I am a sad panda bear.  sad emoticon, go! 😦

But in positive news (unless of course its sold out), Four Tet will be in Vancouver on February 24th and I’ll be in Coquitlam celebrating Madelyn’s second year of life and the 2010 Olympics.  If it can be done and I can be on a ferry early enough Thursday morning, I *might* try and go.  I say might because the logistics  could be more hassle than the value.

But I read a great interview with Kieran Hebden (Four Tet) that just re-ignited my love for his style of electronic beats. (and the dude went to high school with the man that is Burial?  SWA?)

Check out this quote:

Pitchfork: On the new album, there’s a track called “Pablo’s Heart”, which is 11 seconds of a swooshing, pulsing beat. Is that title to be taken literally?

Four Tet: It is Pablo’s heartbeat. Pablo is my godson. His father recorded the heartbeat on his mobile phone at the doctor’s office and sent me the recording. His parents were coming to see a live show I was doing, so I took that sound and played it through the sound system. It was really loud and sounded like a mad modular synth when the bass was pumped up. It was this really crazy scene. His heart at the time was probably the size of a pea and I was using it to make this immense sound. He’s not very old, so he won’t understand when he sees the record. I put it on as a little present to him.

Pitchfork: It’s your Herbert moment. Does that have any relation to the end of the track “Plastic People”, when it sounds like there’s a kid hitting some bells or percussion? Is that Pablo as well?

Four Tet: I was working on music while staying with some friends of mine, and their little girl Opal was playing this little toy piano and I recorded it. If I listen back to my old record, Rounds or something, an album I made over a period of a year or so, it’s almost like a diary for me. I don’t think I listen to it like anybody else would. For me, it’s about all the memories from that time, how I made each song, where I was and what was going on. I always put little references to my life in the music I’ve made. It’s no different with this record, I’ve just done a couple of things more explicit this time, like calling the track “Pablo’s Heart”.

In the past it would have been buried and I wouldn’t have told anyone about it. I wanted him to have a little gift almost, a sound off the record. There aren’t lyrics or anything in my music. I don’t have any explicit thing for people to read into, so I like putting a lot of personal touches in the music. If I bare my soul in bits and make it personal, I think people can sense that when they hear it. I don’t know what it is. People read into the music. I have a feeling that they can believe that I’m trying to put some emotion forward. It’s not just some technical exercise.

I love it, so much exciting stuff to try and pull out of the music.  But its also interesting for me to read about the things that are real, that this artist is pouring into his music.  It was a very good interview if you care… read it.


I’ve been blogging about music lots lately.  I think that is a good thing.  I don’t quite get as many hits on my music posts generally.  But at the same time, my biggest days have been music posts and my catalog posts seem to be the ones that still get discovered.  That is kinda neat.  I’ve always had a challenge with that.  I like music and talking about music, but it doesn’t generate too much emotion in most people that find my blog.  Oh well… its my blog.

The other thing I’ve been trying to feel is some zen.  Getting tired of fighting with people about shit all the time.  Twitter turns the hyper engine on overdrive.  I’ve been catching myself a few times and not posting stuff I want to say because I weigh out whether its worth the debate and drama.

Focus is good.  There are some other things I want to start working on too, but it will have to wait… always waiting.

A couple things I am waiting for, Vancouver this weekend and Sasquatch in May.  They announce the line-up tomorrow.   Can’t wait.

Quatchi has got to eat too you know... http://www.homelessnation.org/node/17263

Something that is kinda buttering my biscuit is this business in Vancouver of restaurants adding the tip automatically to the bill.  tacky central Vancouver downtown restaurants.

Read All About It! Vancouver Sun

“We are doing this to ensure we take care of our servers. It isn’t business as usual down here. The usual gratuity [expected from Canadian or American customers] ranges from 15 to 20 per cent so it’s not gouging,” Nancy Celetti VP marketing for Earls.

awww, its about the servers?  really… how about you pay them a living wage if you valued their work.  Then the tip would be just that, a tip.  After the Olympics, put them back down to $8/hour…

I’ll be downtown next weekend for the Olympics and if it comes time to enjoy a pint or a bite and there is an automatic gratuity I’ll be pushing off to the next restaurant or packing a lunch.  I guess that is freedom.  You can gouge tourists and I can eat elsewhere.

Go with yourself.

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