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Wow, when was that video taken? Summer of this year?  Amazing how much more hair she has now.

We were at Zellers doing some shopping and Mads loved tearing through the store.  Just the other night we were in Zellers to buy some clothes for a family portrait and Mads bolted and started running through the aisles and displays of clothing.  It was quite the dash.  I wished I had a video camera strapped to her to film from her perspective and I posted:

I’d love to mount a video camera on Madelyn and set her loose in a Zellers. about 17 hours ago from TwitterBerry

Then James and Two tweeted back the technology exists!

tysonelder

@jeremy_baker it can be arranged.

James_LRR

@Jeremy_Baker I can hook you up with a camera. 🙂

O RLY?

Should we make a date?

Merry Christmas

Ataque de Pánico!

Cool, Jason Lamb was telling me this morning about this video a dude in Uruguay made.  This film creator had a budget of around $500 and made an epic sci-fi 5 minute production.

YouTube short lands budding

director $30M movie deal

Because of its high quality and Youtube-sensation-ess, a Hollywood Mucky Muck offered in a 30 million dollar contract to make a Hollywood style blockbuster.  I love it.

I’ll need to add DJ Longshanks blog to the old roll on the side.  The man posted a fun 30 minute mix today with some musings about the year as a DJ.

Aside from the man far more plugged into something called uhhh, “wonky” and “glitch-hop” he had some thoughts on the trials and tribulations of being a professional DJ.  Someone who makes their living counting the receipts at the end of the night from people who paid cash/money to hear your selection for the music.

“Like anyone who does it for a living, DJing in 2009 made me ask myself some serious questions about what the fuck I am doing up there. Balancing the oft-primitive ideals of a club crowd with my inclination toward musical progression proves frustrating sometimes. Like “do people still really wanna dance to “Day & Night”? Well… of course they fucking do!” I’ve moaned enough about the electro-hangover affecting Victoria (and most other cities I assume) so I’ll spare you the whine.”

When I first read it, my reaction was, “I hear ya man.”  Then I read an interesting article about the new ratings measurement system for radio.  Something called the Personal People Meter (we don’t use this in Victoria yet, but radio stations in Vancouver are rated this way).

Never listen to Celine Dion? Radio Begs to Differ.

In the old system of ratings measurement for radio or the “diary” system.  A company would survey a random selection of all the fine folks that call Victoria home and ask them to write down one weeks of radio listening.  This is fine, but we as people would tend to use the diary as a way to project who we want to be, not who we are.  So we might write that we listen to to smart radio stations or even no radio stations… when the fact is… you have a soft spot for Nickelback and whenever you’re in the car with your girl, the radio is locked on the Beat (no shame, that is how it is in my world).

PPM (Personal People Meters) are an electronic device you clip to your belt and it automatically records what you are exposed to from the radio.

I think its great (Modern Rock stations tend to do better in the PPM world).  It shows what people are actually listening too.  They don’t like commercials or radio DJ banter, they love Top 40 and familiar music (hits).  OK… maybe I don’t love everything about PPM.

then I read this and wanted to reach through the internet and slap the man.

“There’s no good radio,” said Jason Pontius, 39, a technology executive in Oakland, Calif. “Soft rock radio is like, ‘Am I really listening to this?’ But it’s the best thing that’s on.”

JASON!  There is no good radio on because you listen to soft rock you r-tard!  I guess it becomes a chicken or egg thing… which came first.  But the reality is this, if you like something, or think you do, or want to… you have to support it because the great big companies roaming this planet looking to mouth rape (oh Jon Lajoie, you iz funny man) some profits will flip a station yesterday to Top 40.

It reminds me of a story from my time DJing out in Langford at the Station House.  One night I was DJing… pretty slow night.  Playing lots of modern rock, popular top 40 and some groovy stuff.  A group of guys was sitting around the DJ area making requests and just generally talking music.  The guys were saying how great it was to finally be in a bar and hearing the music they like.  Then they turned to each other… and just like that, began collecting their things to leave.  I said, “oi! guys where are you going?”

They told me they were off to another bar because the other bar had a house cover band badly hacking their way through classic hits of the 70s.

SWA?  Why would you do that?  The boys said sorry, but that is where the party was.  I begged them, if they wanted to hear something different at the bar, songs that reflected their taste, they needed to bring their friends over to the bar I was DJing at or I’d be replaced by a 70s cover band.  They did not return… and I have been replaced by a 70s cover band.

Now you have two bars on the same street with the same music on the same night.  Logically, it doesn’t make sense, but that is what the people want on a Friday night.  I knew I should have played “Brown Eyed Girl,” I knew it!

My Top 10 Records of the Ought Nots

Rozie said it best when she described the process of picking just 10 records as ballz.  To help make the pick, I consulted my Last FM to see what recently still gets plays but also relied a bit on my memory for those records that were a big deal at the time.  Some bands had a mighty decade but their best record was actually a 90s, so I left off By A Thread or Jimmy Eat World.  Two bands I played heavy in the 00s.

Couldn’t chose anything from 2009 as it just doesn’t have that decade-ness to it yet and only one record from 2008, a record that didn’t even make my top 10 last year! All these records had their moment when they were fresh and I continue to revisit them to make me smile.  Except Explosions In The Sky which I discovered later in the decade.

I am sure I’m missing stuff and its hard to really wrap my head around what I loved in the first half of the decade sometimes… so this is the best of the 2000s as I can remember today.

01) The National – Boxer (2007)

Easy peasy pick to lead off my list.  They are my favourite band.  When people used to ask me my fave band I’d hum and haw and whine that it was an impossible question, but now I just say The National.  Tyson turned me on to this group just before their album Boxer came out.  When Boxer arrived I was primed and anxious for it and gobbled it up as soon as it arrived.  Coral and I went to see The National in Vancouver at Richards and I might have cried.  I am sure I have blogged about the The National before, but basically, they are one of the few bands that I get kinda fan-boy over in regards to the fact that I make a point to stay up on them in the news, buy their records, travel to concerts and generally love them.  though you know what, I don’t even know the names of any of the folks in the band?

Is that weird?  Maybe… or maybe it just means I like chicks man, not dudes.

Key Cut: “Slow Show”

02) The Replacements – Don’t You Know Who I think I Was: The Best of the Replacements (2006)

Does this record count?  Sure does to me.  Replacements I discovered in the 2000s and they are huge to me.  This greatest hits collection is the greatest thing Rhino ever did.  I used to just throat punch people that said they liked “80s music.”  Like what does that even mean.  i still do, cuz likely those kinda folks don’t rock the Replacements, but now I don’t think it was ALL bad.

Songs that get me hot and bothered: “Answering Machine” “I Will Dare” “Here Comes a Regular”

03) The Hold Steady – Boys and Girls in America (2006)

The Hold Steady’s Boys and Girls arrived and I soaked in it.  What a rocking good time.  The songs “First Night” will be an all time fave of mine that I’ll be a curmudgeon over when I’m old.  If the radio still exists in 2020 and Madelyn is 12, we’ll be driving down the airstreet in our hovercar and it’ll come on.  I’ll crank it up and say, “now this is good music… all the music of the 2020s is shit!”

Make out to: “First Night”

04) Band of Horses – Everything All The Time (2006)

If you don’t wanna make out to the Hold Steady you’re a communist OR you have Band of horse fired up while you fiddle with the bra clasp.  Another band that I’ve been fortunate to see a couple times live (Coral has seen them 3 times! LUCKY!).  I coulda put Cease to Begin on here too, I know that Rozie pulled that stunt… duel entries for the same band with multiple great records… but I’d get out of hand with that.

Pretty music, makes me think of Madelyn for some reason.  Its definitely a family record ’round these parts as both Coral and I adore Band of Horses.

Its all good but if you steal one song make it: “I go to the barn because I like the”

05) Interpol – Turn on The Bright Lights (2002)

College radio turned me into a music snob and by 2002 I was at my bitchy zenith.  This record I liked, then Antics came out and I loved it, then with time it became wonderfully clear, Turn on The Bright Lights is a better record that I’ll likely always go back to.  This is an album I tend to gravitate too when I have a trip or car ride and just want one, really good album.  When I first came into contact with Interpol, “Obstacle 1” was my fave.  But now, its “Untitled.”

I already said it: “Untitled” but you’d serve yourself well by grabbing “Obstacle 1”

06) Taking Back Sunday – Tell All Your Friends (2002)

Another album that I’ll always smile about.  I was really into this “scene” by 2002 and one of the best records of the style continues to be in my opinion, Tell All Your Friends.  I played it tons on The Morning After Show, blogged about it when I wrote for Indulged, it came on camping trips and lived in my Discman as I skytrained to work in Vancouver everyday.

I moved to Victoria and it was a huge part of lonely nights when I was new in town and my girl at that time lived across the straight.

One of the oddest experiences in my life involved a trip to Bob’s cabin at Christina Lake one summer.  We had just arrived on the property and were unpacking.  I had climbed up the stair in behind the cabin and around the side where there was a clearing looking out over the lake.  It suddenly began to pour rain very heavily.  The song “You Know How I Do” began to play loudly, inside my head… but the sound seemed to me to be originating from outside my body.  It was very surreal, like I was engulfed in sound. It was loud and drowned out every other sound.  A magical moment that has never replicated itself in my life, but I hold out hope that it will again one day.

When not tripping balls to “You Know How I Do” I’ll recommend: “You’re So Last Summer”

07) Coheed and Cambria – In Keeping Secrets of Silent Earth 3 (2003)

Judge me not!

I like love: “The Crowing”

08) Tool – Lateralus (2001)

The soundtrack to my shit job as a telemarketer for Telus.  I remember driving to the call center the day they first played “Schism” on the radio and being happy.  I still enjoy their sound but this record tends to be what I gravitate to this day when I need a Tool fix.

My second Tool concert was the Lateralus tour at GM Place.  The show I got wicked stoned and sat way up high and just sucked it up.  My third show was heading to Seattle with James to check out the 10,000 Days tour.  We got to fly in a sea plane! ahhh, the 2000s.  The times were good.

I likey: “The Grudge”

09) Frightened Rabbit – The Midnight Organ Fight (2008)

This album didn’t even make my Top 10 of 2008.  What?  I’m an idiot.

Do I have to pick one? “Backwards Walk”

10) Explosions in the Sky – The Earth is Not a Cold Dead Place (2003)

This was a hard one, I kinda wanted to include Sufjan Stevens’ Illinois on my list.  When Sufjan’s state themed concept record came out in 2005, it topped my Best of 05.  I listened to it all.the.time.  BUT, I rarely rock it now, if ever.  It was fun, we had some times Sufjan… you got weird and stopped making music I care about.

Explosions in the Sky… now here is a band I always play… even if just a bit… but very consistent.  Super epic music with no lyrics.  Its like a chose your own adventure… song!  Whatever I’m feeling, I can wrap EITS around.  Their set at Sasquatch was the highlight for me (and the final show I saw over the three days).

Chill the eff out! “Your Hand in Mine”

Go with yourself

Might be time for me to replace the ole’ Kenwood Stereo Amp.  Since I have lived on my own, the Kenwood has powered my sonic journeys.  God bless it but the time has come to find a new/old amp for my turntable.  The Kenwood requires a lot of attention when I fire it up as its connections are wonky.  I lose sound out of the right or left speaker and have to fiddle with the knobs to get it sound full and great.  When it works out, it works out and it sounds wonderful.  But I usually lose half a song fiddling.

I bought the Kenwood Amp some time ago when Paul and I first moved out to a basement suite together on Boundary Road on the Burnaby side of the Vancouver/Burnaby divide.  We lived sorta near Moscrop School and an easy walk to the Joyce Skytrain Station.

A picture of my set up circa early 2007, Fernwood Apartment. Kenwood is on the right, second unit up above the DVD player.

I am sure I have blogged about my amp before.  Paul and I headed out to a fair or flea market in Aldergrove or Cloverdale.  I bought the amp for $20.  Likely, the best $20 I ever spent.

The amp went with me when Alex and I moved to Commercial Drive.  My old man bought me speakers that year for my birthday and I still have those.  I’ve spilt some wax down the side.

When I got the job in Victoria, the amp made the sea voyage.  It was around that time that I foraged in my Dad’s garage for his old Hitachi Record player.

As the seasons changed, I phased the CD player out, but the Amp, record player and speakers have endured, Fernwood to Yates to Esquimalt.  I now run my DJ rig through the amp when I practice at home.

* I just want to stop for a moment to say that Jose GonzalezVeneer is amazing.

The time has come to think about replacing the Kenwood with something new, but part of me wonders if I should try and fix it?  It is just the connections that are wonky?  Maybe I could order or find the same model on the internet or maybe the answer is rolling the dice on a new/old amp at a garage sale?

The home stereo March 2009

***

The Book of Negroes threw me off my path of John Jewitt’s account of being a slave on Vancouver Island.  I’ll need to finish that book so I can begin my next step in creating my first radio documentary.

I’ll really need to get it done before I get some new books (fingers crossed) from Santa.  I have a couple on my list but one that I am excited to track down (if it doesn’t come down the chimney) is Perfecting Sound Forever: An Aural History of Recorded Music by Greg Milner.

Greg travels through history, Thomas Edison to Auto-tune.  I can dig it.  Might make a good subject for a future podcast.  So many podcasting ideas.  We’ll see how well Coral and I can correct our financial situation in the new year before I can think about anymore audio gear.

That’s all I got, tomorrow we’ll see how my day shapes up but i might try to tackle my top 10 records of 00s.

Go with yourself.

Got lots of great comments and feedback about last nights post about the Pirate radio Station in Ottawa.

This one is from Buzz who is now Morning Drive in Calgary on AMP:

Shut him down. Is he paying SOCAN fees? Did he buy a license? It’s just like selling booze at a lemonade stand. It sounds like a fun idea, but it’s illegal. Shut. Him. Down.

David Eleanor is fighting Global Climate Change and is Music Director of The Zone:

You make a lot of strong points here, Jeremy. I especially like the one about that guy (likely) scoring less than Shane O’Brien. Here’s the problem: The CRTC can’t choose who gets in trouble, and who doesn’t when the rules are broken. Government Commissions must hold people accountable, publicly in my opinion, or else the message they send is a dangerous one. So one kid broke the rules? So what! So one station didn’t fulfill all it’s spoken word commitments? So what! So one radio company didn’t pay it’s SOCAN bills? So what? It’s a slippery slope, and when I pay the salaries of those empowered to enforce the rules, I want to know they’re doing their job. I hold them accountable, for holding the industry accountable.

That said, they shouldn’t find the kid $5,000. Tell him to take the signal down, publicly praise the kid for his passion for local radio, and give him a job at the CBC rolling cords, or working in a studio somewhere. The Government looks good for going easy on him, and for giving the impression to the general public that they’re doing their job.

By the Way: CHMR “The Hammer” would have ruled my world in 1997.

The Hammer would pretty much slay!  That we can agree on.

This comment is from Sara P, PD of The Zone:

Yeah!! Go kid and go freedom! Jer we should send him a copy of that KBLT book so he can learn to hide his transmitter well. 🙂

Dave Holden is a dude and he says:

They should take a percentage of his PROFIT and turn it over to SOCAN. Even though I’m sure every artist that was spun on his station would gladly forfeit their rights in this instance. I grew up listening to CFNY back in the day. I’ve heard Alternative radio deteriorate to the “I-can-read-Billboard-and-play the-songs-with-the-numbers-beside-… See Morethem-XFM-style” in the ’90’s (With the odd exception like early KNDD Seattle) . Later, competing with iPods and Pandora, radio would lose big numbers and then claw for any listeners at all. Now, in order to get listeners back to radio (or in my case, back from 947.fm, Indie 103.1, my iPod, or the Adam Carolla Podcast) the CRTC is finally allowing new licenses (I really like the PEAK). We in our 40’s (and up) have been trying to tell the younger demos what we think that they think is cool for a while now. Punish him severely? Really? Are we American now? Radio needs to stop with that “throw away the key” mentality and listen for once. What is REALLY being said about the state of radio from the perspective of the next generation of potential listeners? And Buzz, Given our archaic liquor laws and moratorium on live venues in this town, I’d love some booze from a lemonade stand. 🙂

***

and since this is my blog, here is more of my half informed opinion:

yeah his biggest problem was 2000 watts! zoinks and he interrupted the CBC signal… so that will piss off a lot of people. Smaller frequency, and squat on something not used… no problem to me.  Or broadcast on the new unregulated frontier; the internet… how many of those stations are paying SOCAN?

If it becomes an artists rights thing, … I am sure he could pay the blanket NON-Comm rate which is? maybe $500 a year? $1,000?

and for people into Pirate Radio, Sara was right to recommend 40 Watts From Nowhere! http://www.amazon.ca/40-Watts-Nowhere-Journey-Pirate/dp/0743229886

A great read for people into radio, freedom, indie media, and the California music scene of the early 90s.

*** AND what the heck is SOCAN you non radio folks might be asking? http://www.socan.ca/jsp/en/pub/about_socan/index.jsp

Go with yourself.

What a story!  14 year old (with Dad’s help) kid in Ottawa launches a 2,000 watt pirate radio station.

Ottawa boy ordered to shut down his radio station

I saw the story had 338 comments and assumed it was 338 freedom loving rock and rollers coming together to say fuck yeah!  But when you assume, you make an ass of u and me.

I read this blog post where people want to put him in jail?  Throw the book at him!  Get child services involved!  rar rar rar.

“Yes, he should be fined to the maximum extent of the law, which is at least $5000 and possibly more. And all of the equipment should be confiscated, including the antenna and tower.” Gordon Dewis

First off….

look at this kid.  I don’t think he normally crushes a lot of vag, he needs to be on the radio.  I should know.

Second… WTF Canada?  When do we cheer on the government to champion the rights of uh… ginormous corporations? I missed that meeting, maybe I am supposed to be on the government’s side?

Calm down everyone, its a pirate radio station… they make movies about these things.

I’ve always wanted to start a radio station and have bold plans for my own pirate station if the Lotto Max thing works out.

I’ve wanted to start my own station longer than I can remember.  When I was a kid taking Marketing in high school we had to do a year end project where we make a business plan for a business.

All the kids pick clothing stores or restaurants.  I made a radio station.  I felt very strongly at the time that Ozzy Osbourne needed to be on the radio way more than he was in 1997.  I made a business plan for a station called CHMR, the Hammer!  All Metal ALL THE TIME!  Grrrrr.

The station had a mascot, the Phantom Dreamer… it was this character my friend Adam invented.  He was this boy/man with a blank stare that carried a two handed sledge hammer that was always dripping blood.  Fucking hard core man.  This station’s target demographic was virgins, the unemployed, LARPers and most of the residents of Mission.

I don’t remember my grade, but it was most probably a A.

The Morning After Show was the closest I’ll likely ever get to what MY radio station would sound like.  Indie rock interrupted by 40 minute tirades that consisted of half-informed political opinion, sexism, and Art Bellesque Conspiracy theory diatribe.

Now I am older and oh so wiser and the plan if far more sinister and basic.  A low watt FM, 40 watts maybe.  A tall building in the WestEnd of Vancouver… and the cool sounds of freedom.

That is low key, the “oh my god, you mean I have to actually invest my own money on this” sorta plan.

My lotto max radio station will be even more fun.

An AM radio station.

Easy, the corporations abandon them all the time, so I figure anyone can have one now.  The ones that still exist that aren’t news/talk/sports are a joke.  I’d play rock and roll and just generally be groovy.  Seems radical I know, but funny story, no AM radio station does that? weird… you’d think the old duffers that haven’t shuffled off the mortal coil would be into some “Crimson and Clover” spinning on a 45 played by some guy way to stoned to be standing upright.  But maybe not?  Maybe they’re all too busy, logging onto the CBC message boards demanding the government take decisive and swift action against Puberty over in Ottawa?

Maybe CHMR should fire up, I can count on the virgins and LARPers.

Go with yourself.

01) Phoenix – Wolfgang Amadeus Phoenix

No record got more play at home, in the car, or in the club for me then Phoenix.  I genuinely enjoy the whole disc from front-to-back.  Remixes, love them, instrumentals are mighty, catalog (now that I am going back) all good.

02) Propagandhi – Supporting Caste

Propagandhi will be a band that i will always adore.  I forgot how much I listened to this record this year till I hit my Last FM, and for bands that had new music in 2009, Propagandhi was number 2!  I remember looking forward to this record, then getting as soon as I could.  Admittedly, a lot of those spins for this record were for the song “Dear Coaches Corner.”  My great rock and roll shame is that I still have never seen Propagandhi live, ever in all my years.

03) The Dudes – Blood Guts Bruises Cuts

The Dudes get to be one of those bands that I love hearing the singles on the Zone, and I love exploring their album.  Another front-to-backer that I can put on and let it play right through… into their previous record.

04) The Rural Alberta Advantage – Hometowns

a summer record for me.  It got heavy play on the iPod when Coral and I visited Alberta.  Just too cliche to not love while I was driving around Wetaskiwin.  Very pretty music.

05) Japandroids – Post-Nothing

Finally some local(ish) rock on the list.  I have a huge hard-on for Japandroids.  I can’t remember why I was taking the ferry by myself last year.  I am generally herding an entire family with my on the voyage, but there was a time I had the opportunity to listen to music for the crossing on the boat and Japandroids were so perfect.  “Its raining, in Vancouver… but I don’t give a fuck!”  Super fuzzy.  Super great.

06) Silversun Pickups – Swoon

This album remains a steady play on my stereo at home, I enjoy hearing the singles on the Zone and a highlight of the year in concerts was the Zone Show at the Royal.  I loved their set at Sasquatch last May.  Lots of stand-out cuts on this record, but basically, the first 5 song son the record I never skip over.

07) Yeah Yeah Yeahs – It’s Blitz

The sound track to our trip to the Sasquatch Festival (well this and Passion Pit and Bon Iver and Explosions in the Sky and ….).  It’s Blitz is one of the few 2009 vinyls Coral and I added to our collection and I enjoy the dancier ones when I am DJing.

08) Alice In Chains – Black Gives Way To Blue

Growing up, AiC would have to be one of my top 5 90s bands.  Their catalog songs still get regular play at home.  I wanted to pan this record when it came out but something funny happened, its good.

09) Pearl Jam – Backspacer

Another record that hipster Jeremy wanted to hate-on… but its good.  “Just Breathe” is a highlight of the my sets on The Zone Afternoon Show.  I missed the concert in Van but hear only great things.  When I read about Eddie Vedder in the music gossips its for good things.  PJ makes me smile still and I enjoy this record as a stand alone or mixed in with a set of PJ catalog cuts.

10) Passion Pit – Manners

Passion pit got slightly more spins at home this year than PJ… but PJ crushed in total times (because of the Zone) so I made PJ 9 and Passion Pit 10.  I like Passion pit at the club and sometimes at home.  Great in the car.  They were a huge disappointment for me at Sasquatch (maybe I wasn’t drunk enough?) and some album cuts I skip over.

Still, can’t deny that the songs I like from Passion Pit, I REALLY like and play them often. “Little Secrets,” “Moth’s Wings,” “The Reeling,” “Sleepyhead,” all magical.

***

My favourite album covers (if Coral reads this and wants to know a Christmas present) are the Japandroids, Rural Alberta Advantage and Propagandhi.  Just say’n dear.

***

Go with yourself.

"The Slave Trade" by Auguste Francois Biard, 1840

Wow, last night I did a late night push to finish Lawrence Hill’s “The Book of Negroes.”

What a stunningly rich epic.  People have to read this book, kids should read it in school.  Its similar to a Holocaust story, in that it is a bizarre and inhumane struggle, that was real.  But why it is as important than the Holocaust for Canadians is that part of the story takes place in Canada!  (and Lawrence Hill is a Canadian too).

The story begins in the 1750s in a small village somewhere in Africa (I think Nigeria) where the main character Aminata is an 11-year-old girl.  Raiders come and kidnap her into slavery, and then about about 400 plus pages of misery later, The End.

Maybe not the best selling job to say 400 pages of “misery.”  There are also many triumphs and in the end an uplifting closure.  The main character in the novel is fiction, but she lives close to the real life events that happened to her during her voyages and captivity.

I stayed up past 3AM last night reading, then after I finished the book I had to read the Wikipedia article on the Atlantic Slave Trade (which is so tame compared to the accounts in the novel) and I read about the nation of Sierra Leone.

While Coral was reading the book, I also read about the Slave Rebellion in Haiti too.  if you’ve read the book, or are going to read it, all these articles will help with your understanding.

Where the book leaves off, the real life struggle to end slavery begins.  The British did outlaw slavery and put their money (and men’s lives) where their mouth is.  The had a squadron of the British Navy station at Freetown (where Aminata lives for a spell) fighting the slave traders and the local African tribes that continued to sell their people to traders.  They had a mortality rate that was close to 5 times higher than regular mariners serving in the Royal Navy of the time.

The Americans would fight one heck of a war in the 1860s to once and for all end the practice of slavery… and the rifts of slavery would continue to reverberate throughout history with the civil rights movements of 1960 and all the struggles in Africa that continue to this day.

I wonder what Sierra Leone is like now?  I read about Freetown on wiki and it said the city is a tropical metropolis on the ocean surrounded by beaches and jungle and it seemed fairly stable (now, they had a recent civil war).  I wonder if it would be a good place to visit?  I wonder if Bance island is still there? If people care to preserve it?

Go with yourself.

Lots of new music to start the show. Vancouver band Whitfield told me about their new album Tornado Cutie so I found a cut that has a nice Killers vibe to lead off the show.  Jell, a former Zone Band of the Month, still working hard and some new music from them.  A demo from Old Man Solie.  The show ends with a live performance from The Racoons.  Thank you for downloading the show, please please, please take four seconds to search for ‘Capital Rock City’ in the iTunes store and subscribe/rate/comment.  Thank you.

Download: Capital Rock City #84

***

DJ Notes

01) Whitfield – “Top of the World”
02) Jell – “Nothing Left to Say”
03) Old Man Solie – “Lot 9” (demo)
04) The Racoons – “Room to Operate”
05) The Racoons – “Tangiers”

CRC 84 begins with the theme song to my current fave show, “In The Night Garden.”  And why not?  I love that little Makka Pakka, isn’t that a pip?

Whitfield is a band I know of because of my Whale watching/Car Selling friend, Brendan.  He turned me on to these guys some time ago when he popped by The Mix Tape at the Clubhouse one Thursday.  Josh finally sent me an email and here we are, enjoying the opening cut to their record “Tornado Cutie.”  Great album title eh?  Whitfield would sound great for fans of the Killers or Bravery.

Jell is jamming out a concert on Friday at Sugar with Aegis Fang!  Which reminds me, I really show fire up some Aegis Fang again the show.

A couple weeks back, we all enjoyed the LIVE CRC 81 from The Black Stilt.  Well, maybe we ALL didn’t, but I had fun.  While wandering the coffee shop I ran into a worker there who was also a musician and he put his demo in my hand right there!  And you’re hearing it today!  Be gentle with your critique, it is only a an early demo, but I love hearing these raw sounds.  Very groovy party rock.  Might be better suited to summer cocktails then Christmas Rums.

The show ends with one of my fave Vic rockers, The Racoons.  They came by the Zone Afternoon Show to perform “Room To Operate.” But I demanded satisfaction and to hear “Tangiers.”  So they did both. awwww, I love those guys.

Next week on the podcast, not really working on anything to special so I’ll troll the net for some fine rock & roll.  BUT the week after, I’d LOVE to do a Christmas Capital Rock City… any bands have a Christmas song to send me?  jeremy@thezone.fm.

Then I’ll do a “Best of” as chosen by me… in 2010, already lining up a couple shows.  Aidan Knight will come, and perform and play songs from his favourite Vic rockers (and some Black Tie Social!) and then I am trying to get Forestry in here too for a CD release show.  their record is out in January 2010.

That’s all I got.  Go with yourself.